Tomorrow's Vig

HI!

JUST A SOMETIMES CYNICAL,
ASPIRING WRITER HERE CREATING
BITE-SIZED STORIES WITH FUN,
ORIGINAL ART FROM MY DUSTY
BROOKLYN STOOP.

MY DAY JOB KINDA BLOWS, SO YOUR
SUPPORT GETS ME A STEP CLOSER TO
DOING THIS FULL TIME. AND JUMP ON
MY EMAIL LIST FOR UPDATES, TOO.

MARTIN

Faberge_

A pointillism drawing of a Faberge egg.

I was licking toffee off my fingers outside Ava’s Caramel Corn when a bus passed and its entire side had a striking, bejeweled egg painted on it. It hypnotized my 7-year-old self right then and there. My gran—dropping her stinky cigarette—noticed and nostalgically added, “I loved those eggs when I was your age.”

The next weekend I was Alice in Wonderland at the Peabody Essex Museum, rudely yanking an elderly woman about and leaving a plethora of “sorry’s” in our wake. There it was: the Fabergé 1897 Imperial Coronation Egg.

The most beautiful thing I’d ever seen.

“Look!” Its innards were revealed: a yolk of a golden hen hatching a miniature crown.

Beauty, inside beauty, inside beauty.

That moment imprinted and for many years I found myself wondering at the beauty possibly hiding in so many things.

In high school, my boyfriend and I discovered an African cacao chocolatier, Boevetti’s, if I remember, with the most exquisite packaging. I unwrapped one and felt like Charlie Bucket awaiting the rustle of gold. Alas, just plain wax paper.

On a Vegas trip in college, I stayed at the Bellagio. The foyer had an unforgettable blown-glass floral sculpture and furniture covered in rich, textured upholstery from a bygone French era that transported you to the Belle Époque.

Our second night there, we noticed staff exiting a “Restricted” door. Sneaking closer, I peeked behind the curtain. Cement floors. Bland cream walls. Employee notices. Lifeless. Plain. Boring.

In my mid-20’s, I met a friend who worked for an elite London jeweler, Asprey, for lunch and we had to pop to her office upstairs. Cubicles. Grey furniture. Small windows.

Shrug.

At 30, I decided this was just how the world was. Mostly pomp. Very little circumstance. Shiny outsides. Beige insides.

I think most people are like that, too. They want to seem important or special but deep down they’re just: sweatpants and t-shirts.

I don’t mind, I suppose. Maybe that sameness is why we’re all so relatable.

But lying on my couch, in a flannel onesie, painting my toes, I look around my modest apartment and smile, thinking, “But life is a bit more fun with a little Fabergé.”

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